Though some might be disappointed that Miles’ salty language is noticeably dubbed, Scott’s abilities are impressive nonetheless.We recognize that your privacy is important. Scott succeeds in taunting us, making us eagerly await his mischievous, murderous exploits. That’s a feat even for a seasoned adult, such as James McAvoy in “Glass” and “Split,” let alone a child actor. He doesn’t just change his facial expressions, but his entire physicality. But it’s young Scott who wows with his handling of the sudden dramatic shifts and nuanced facets of his character’s duality. The push-pull of Sarah’s anguished inner conflict feels palpable thanks to her restrained work. The actress capably channels her Lee Remick-inspired role, infusing the caring, devoted matriarch with vulnerability and verisimilitude. That said, Sarah devises a plan that, while ludicrous, befits a character stuck in an impossible situation.Īs the narrative swerves into familiar territory, Schilling and Scott’s performances offer some relief. What we don’t know is if - or how - it can be defeated. We know what the evil soul’s motives are and we know it’ll never be satiated. We’re ahead of the Blumes in that regard.
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It becomes a race against time to figure out how to save poor Miles.īut much of the mystery McCarthy and Buhler attempt to craft is rendered moot following that opening scene in which they showed a female victim escaping from the serial killer’s home and his subsequent demise. To get it out, they must determine who is causing this pain and uncover his motives. He advises Sarah that a dark presence is piggybacking on her son’s life-force. Exposition” since he’s saddled with dispensing most of it. Arthur Jacobson (Colm Feore), who might as well be named “Dr. This garners the attention of reincarnation expert Dr. He also clobbers a schoolmate with a wrench when he doesn’t get his way. He suffers from night terrors, sleep-talking in Hungarian and flailing around in bed. He sets a trap in the basement to maim his babysitter (Elisa Moolecherry). But alarming traits manifest after he turns eight.
Miles shows extreme intelligence, rapidly blazing through development milestones and test placement exams.
And their unconditional love doesn’t stop once he begins to demonstrate disturbing behavior. Sarah ( Taylor Schilling) and John Blume (Peter Mooney) have sacrificed a lot to bring their boy Miles ( Jackson Robert Scott) into the world, calling him their “miracle” child. Minutes after a ruthless serial killer (Paul Fauteux) is shot to death in Ohio, a baby boy is born to a loving married couple in nearby Pennsylvania. While it lacks gripping, nail-biting tension, the unnerving horror that underscores the family drama brings it to life. At least that’s what we glean from a brief “Nightline” clip about reincarnation shown in the film - which is possibly the clever inspiration for Jeff Buhler’s screenplay. Director Nicholas McCarthy’s “The Prodigy” takes that concept a bit further, positing that children have the ability to carry the past lives of demonic, sociopathic souls and act on their deranged feelings. If we’ve learned anything from movies like “The Omen,” “The Bad Seed,” and “The Good Son,” it’s that kids can be little demons.
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